While nabbing an audition for larger speaking roles can prove difficult, another way to join a big production is by doing background work. That way, when “House of Dragon” is looking for talent, you can stand out from the rest. We also suggest keeping tabs on these nationwide opportunities. Bookmarking this roundup of HBO and Showtime casting notices is also a good idea. However, those hoping to join a project that reminds them of Westeros can always check out these fantasy gigs looking for talent. We really work hard for actors, and I think actors don’t always realize that.” You think, Wow, how hard did I have to work to get that actor in that role who is now a huge success on the basis of this bit of casting, and you’re not recognized further down the line? That’s tough. I think that’s why so many casting directors get a bit grumpy the longer we do it, because we get overlooked so often. “Actors have no idea how much we fight on their behalf. And I always say to actors, ‘We are your warriors,’ ” the CD explained. We don’t want to look at the people we already know about. “We’re constantly looking for the person that we don’t know about. However, James told Backstage that she’s always on the lookout for talent, even if you haven’t applied outright to one of her projects. Production for “House of the Dragon” remains shrouded in secrecy-including the audition process. I had best friends of mine being like, ‘What? Why didn’t you tell us?’ I was so scared that someone was going to come and abduct me and make me disappear.” Then I was put on hold for six weeks and then sworn to secrecy, and then found out I had it, and then sworn to secrecy before the press release came out. In an interview with ABC’s “ Good Morning America,” Olivia Cooke (Alicent Hightower) noted that the audition process was “extensive.” She continued, “I don’t know how many auditions I did I did loads. We look at scripts in a way that actors look at scripts, which is: What can I do to make this come alive? What can I do to improve it, or what about me and my knowledge lend to this piece and these people to make this into something that everybody wants to watch?” I still see casting directors as hugely creative. “I think a big mistake is casting something that I have no desire to watch, because that’s sort of pointless. “I know that I want to do it when it’s something that I would want to watch,” she said. But in recent years, she has been able to focus more on what she likes to do-and that means looking beyond the usual pool of actors. Primarily based in the U.K., James has put together the ensembles of hit shows like “Bodyguard,” “Sherlock,” and “Raised by Wolves,” as well as films including “House of Gucci” and “The Last Duel.” James told Backstage that, at the beginning of her CD career, she “just said yes to everything” in an effort to expand her knowledge and network. Kate Rhodes James is the CD for the series.
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